Still Human?

Original documentary photograph

Hahnemühle Photo Rag 308 gsm 100% cotton Museum-quality Giclée print Unframed

The Moment

Tunis Village, Fayoum, Egypt · 2026

I looked at the hands holding clay and thought about how difficult it has become for me to just stay still. To hold something. To feel something without needing to move on to the next thing.

Is it okay to slow down and feel? Are you still human?

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Print Details

An original documentary photograph, carefully selected and printed to order on Hahnemühle Photo Rag 308 gsm, a museum-quality paper made from 100% cotton rag.

The photograph is produced using Giclée printing with water-based archival pigment inks. Recognised as the gold standard for fine art reproduction by museums and galleries worldwide, this process delivers exceptional detail, smooth tonal transitions, rich colour and deep blacks.

The paper’s natural white, matte surface and softly defined felt texture give the photograph depth without distracting from its finer details. It contains no animal-derived raw materials and is made using sustainably sourced fibres.

Your print includes an integrated warm-white border and is supplied unframed.

Size & Presentation

The selected dimensions describe the complete unframed print, including its integrated warm-white border.

The border has been carefully proportioned to give the photograph room to breathe while preserving the balance of its original composition.

Select a print size above to view its exact dimensions.

Care & Longevity

Archival materials are chosen to preserve the photograph for generations. Under optimal framing, display and storage conditions, current laboratory guidance for archival Giclée prints suggests a potential lifespan of approximately 100 to 200 years.

Framing: Use UV-protective glass or acrylic with acid-free backing and mats. Avoid direct contact between the surface of the print and the glazing.

Display: Keep the print away from direct or harsh sunlight, moisture and areas of high humidity.

Handling: Hold the print by its edges wherever possible, using clean, dry hands.

Storage: Keep unmounted prints flat in an archival-quality box or portfolio, ideally in a dry environment at a moderate room temperature.

Even archival pigment prints may gradually fade when continuously exposed to strong sunlight.

Shipping & Delivery

Your photograph is printed to order through a fine art facility in the UK, US, the Netherlands or Australia, according to its destination and product availability.

Shipping costs, delivery methods and estimated arrival times are shown at checkout. Delivery usually takes approximately 4 to 14 days, depending on the destination and selected service.

Your print is packaged according to its size and fulfilment location. Protective packaging may include recycled cardboard boxes, cardboard envelopes or strong cardboard tubes. Plastic-free packaging is used where available.

Customs and duties: International orders may be subject to local duties, taxes or import fees. These charges are determined by the destination country and are not included in the product or shipping price.

Damaged or incorrect orders: If your print arrives damaged or incorrect, please contact us with photographs of the print and its packaging so we can resolve the issue.

The Story

Tunis Village, Fayoum, Egypt · 2026

I went to Tunis Village in Fayoum and stayed there for weeks. While I was there, I got addicted to the slower days, the food, the quiet, and eventually to what Tunis Village is known for most: pottery. I live in the capital city, where I am always surrounded by highways and billboards, running for money, passive aggressiveness, survival instincts. In other words, capitalism.

In Cairo, I run most of the time. Not on tracks, but on wheels. There is always the next big thing, and because my mind is so accustomed to this fast-paced life, I rarely notice that something is wrong. Until I go to the sea and realise I can spend hours in front of the waves, but my nervous system tells me something is wrong. I need to leave the sea and run.

I have the same thought when I hold something, or when I see someone holding clay.

Is it okay to slow down and feel?

Are you still human?

Part of A Human Trace — Collection 01.

The Story

Another Day

The Second Life

Warmth